Svec, C. Grimsby, R. (submitted). Establishing concurrent validity of the online primary measures of music audiation. International Journal of Music in Early Childhood.

Grimsby, R. (submitted). Music Education from the Child’s Perspective. In K. McCord, C. Colwell, & D. VanderLinde (Eds.), Handbook of Special Music Education and Music Therapy: Research to Practice. Oxford University Press.

Grimsby, R. (invited). Using children’s literature to guide important conversations. Illinois Music Educators State Journal.


Grimsby, R. (invited). Universal design for learning in the elementary music classroom. Massachusetts Music Educators State Journal

Grimsby, R., & Jones, S. K. (in press). It’s not optional: Implementing IEPs in the music classroom. Music Educators Journal


Culp, M. E., & Grimsby, R. (in press). Using an equity-centered framework to guide family engagement: Supporting children’s lifelong music-making through reciprocal partnerships. Music Educators Journal


Grimsby, R. & Armes, J. (2023). Perceptions and experiences of preservice music educators working with students with disabilities: A mixed methods inquiry of online field experiences within a music for special education course. International Journal of Music Education, 1-13. https://doi.org/10.1177/02557614231188126

 

Grimsby, R. & Allen, A. (2023). MTE mothers: Finding balance during the covid-19 pandemic. Qualitative Research in Music Education, 5(1), 3-32. https://vpa.uncg.edu/wp-content/uploads/2023/02/QRME-v5i1-2023-Grimsby-Allen.pdf

Grimsby, R. (2023). Alternative avenues for collaborating with special education paraprofessionals. Journal of General Music Education, 36(2), 13-19. https://doi.org/10.1177/27527646221130314

Armes, J., Harry, A., & Grimsby, R. (2022). Implementing universal design principles in music teaching. Music Educators Journal, 109(1), 44-51. https://doi.org/10.1177/00274321221114869

Grimsby, R. & Knapp, E. (2022). A comparison of federal and state special education laws: Implications for music educators. Arts Education Policy Review. (online first) https://doi.org/10.1080/10632913.2022.2077872

Grimsby, R. (2022). “A meeting of equals.”: Music educators and special education paraprofessionals in a community of practice. Research Studies in Music Education. (online first) https://doi.org/10.1177/1321103X221078521

Feierabend, J. & Grimsby, R. (2021) Conversational Solfege for Recorder. Chicago, IL: GIA Publications

Grimsby, R. (2020). Resources for music teachers. In Hammel, A. & Hourigan, R. Teaching music to students with autism. New York, NY: Oxford (Invited by the authors to rewrite Chapter Ten which appeared in the first edition.)

Grimsby, R. (2020). “Because we are important!”: Music educators and special education paraprofessionals in a community of practice (Publication No. 27962769) [Doctoral dissertation, Michigan State University]. ProQuest Dissertations and Theses Global.

Grimsby, R. (2020). “Anything is better than nothing!”: In-service teacher’s perceptions of preparedness in teaching students with disabilities. Journal of Music Teacher Education. 29(3), 5-11. https://doi:10.1177/1057083719893116

Grimsby, R. (2018). Prepare, practice, present: A “sound before sight” approach to teaching recorder. The Orff Echo, 51(1), 22 -27.

Grimsby, R. (2018). Adaptations for first steps in music and conversational solfege in the general music classroom. In J.M. Feierabend & M. Strong (Eds.), Feierabend fundamentals: History, philosophy, practice (381- 431). GIA Publications

Brandon, J., Green, B., Grimsby, R., Knapp, C., Tranberg, C. (2017). First steps in music with Orff Schulwerk: Sing, say, dance, play. GIA Publications